Digital Art
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Slideshow!!!!!!!!
A digital painting of Tobias Fuchs, from my 'liminal spaces' series. This was the first I made of the series. The space depicted is of endless watery archways that end in blackness, reminiscent of a sewer. Tobias is in a wooden boat, floating aimlessly along. To the left is an endless expanse of bright white light and aqua oceans. Tobias looks out there, expression unreadable. A digital painting of Tobias Fuchs, from my 'liminal spaces' series. This one is inspired by an abhorrent gender-neutral bathroom. There is a toilet and sink on one wall. Behind them are several pipes leaking black rot. Tobias is stood next to one of these pipes, hands behind their back. Next to them is a bright window that lets in piss-yellow light. An artwork inspired by thhe concept of art block. It was a redraw of the first artwork I ever submitted to an art contest - which I won, as it happens. Depicted is a room created from various drawings I've made over the years. In the back wall, a bright yellow spotlight highlights a portion of the room that has been smashed like glass. There appears to be blood dripping from it. Over and over the words 'too much' 'no energy' 'no ideas' are repeated behind the broken wall. Beneath is a drawing of me, exhausted and defeated, laying against the wall. A digital painting of Tobias Fuchs, from my 'liminal spaces' series. This one was inspired by the whirlpool room at a YMCA I went to. The walls and floors are tiled. Tobi is sat at the edge of a pool, their feet sat in the chlorine-blue water. There's a window of bright white light that shouldn't be possible, as behind that wall is foamy green water and a black sky. A digital drawing of an alternate Viktor in which his brother died and his powers allowed him to take his place. Viktor is laid on his stomach, a gameboy advance grasped in his hands and a pillow in his arms. He has moth antenna and a fuzzy tail with white fluff on the end. One of his feet is kicked up in the air, and he has a fat pikachu plush. It seems to be late afternoon. A rough digital painting of Viktor with a somewhat limited palette. His back is towards the viewer, but his head is turned towards them and he has a calm smile. He seems at ease. There are white bubbles that float from hhis mouth, signalling pure neutrality. On the top left, in bright green handwriting, are the words 'DELTA ECHO ALPHA DELTA'. A digital painting of Tobias Fuchs and two slimes from Slime Rancher under a blaknet fort with pillows laid about. There is a CRT TV on a table, providing the only light in the shot. Tobi is seated with their knees up and a tabby slime between their legs, looking content. Atop their head is a yolky slime, dripping eggy goop all over their hair. Tobias appears focused on the TV. A digital painting of Viktor in dim lighting, sitting cross-legged in a corner and looking right at the viewer. There is a spiral of glowing green syringes that float from near Viktor's face, to near where the viewer is. An animated comic of Viktor and Vince, before they broke up. In the first panel, Vince is on his phone and Viktor is playing on his Gameboy. Vince says, 'Viktor?', Viktor replies 'Yes?' and Vince asks 'How do you pronounce gif?' In the next panel is a bust shot of Viktor. He says 'Oh, that's easy', smirks and continues, 'mah-doh' with a shrug. In the final panel is Vince, almost fullbody. He says 'ok', and with a nod adds 'cool.' He pauses, looking up as he realises something, a loading indicator animation playing by his head. Then he turns to Viktor, incredulous, asking 'wait, what?' and Viktor laughs. Along the bottom is the text 'Artist note: it's pronounced with a hard g, like grant. Not jif!', because I thought it was funny to add. A digital painting of Eidolon playing PS2 on a CRT TV and looking grumpy. Eidolon (any pronouns) is somewhere between a wolf and ann alicorn, with wings, a unicorn horn, and a wolfy face and tail. He has hooves. The light of the TV is green. She is stationed on a bean bag. A digital painting of a scene from Bride of Reanimator. In the foreground, Herbert, unfocused by chromatic aberration, is holding a human heart. In the background, where the focus lies, Dan stands looking stuned. They're in their basement, with various sciency equipment laying around. A digital painting of a sky with closed doors floating everywhere. Placed evenly across the canvas (so to speak) are three photos of an opened door that leads into a dark bathroom, each slightly modified to be in perspective. In the middle door, Tobias Fuchs is seated on the toilet, looking at the viewer. In case this needs saying, they do not have their pants down, they're just sitt'n. As one does. A digital doodle of Herbert West holding Dr. Hill's disembodied head. He smirks smugly at the viewer, holding Hill's head like one might hold a rotted pumpkin. Hill is, evidently, quite dead, eyes dul and glassy and tongue hanging out. Behind Herbert is a roughly painted sketch of Hill's body, headless and reaching for Herbert. On the left is the text 'Go get a job at a side show.' which is a quote from the movie. A digital painting of Nathan Driver looking intno his reflection. His hand is placed firmly against the glass of the mirror. in his reflection, we see his human form and in the highlights on the mirror, we see his angel form. This was before I redesigned his forms. A rough digital painting of Viktor Ochenko, shirtless with a hand to his chin. He is nont wearing his glasses. He looks down almost disgustedly at the viewer. There is a ring of pointy black crosses around his head. A digital painting inspired by a scene from The Interpretation of Shadows. On the left is Vince Thompson, crying and looking tiredly off to the side, clutching a large bee plush in his arms. On the right is Viktor Ochenko, staring blankly towards the ceiling (viewer). Although tears stream down his face and his face is wrinkly with emotion, his gaze is blank and empty. A digital painting of a grassy cave with a catlike creature inside, its yellow eyes and a slight highlight on its head being the only hint as to its shape. A digital painting of Viktor Ochenko palying PS2 on a CRT television, visible in the foreground. Viktor is laying shirtless and comfortable on a beanbag, the only light in the room coming from the TV. A digital painting of Viktor Ochenko looking at his reflection. He looks mildly puzzled, adusting his glasses. His normally pointy ears are rounded. A pencil sketch of Nathan Driver that has been digitally colored and rendered. He is in the corner of his bedroom at his desk, playing 3d Space Cadet Pinball and looking nervously at the viewer. Evidently, he's been playing in the dark; the viewer is stationed near where his bedroom door would be, allowing warm light to filter in.

There's probably a reason nobody tries to code these accursed things by hand. God. I'll make it better later.

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